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・ Cello Sonata (Shostakovich)
・ Cello Sonata No. 1
・ Cello Sonata No. 1 (Brahms)
・ Cello Sonata No. 1 (Mendelssohn)
・ Cello Sonata No. 2
・ Cello Sonata No. 2 (Brahms)
・ Cello Sonata No. 2 (Mendelssohn)
・ Cello Sonata No. 3 (Beethoven)
・ Cello Sonatas (Vivaldi)
・ Cello Sonatas Nos. 1 and 2 (Beethoven)
・ Cello Sonatas Nos. 4 and 5 (Beethoven)
・ Cello Song
・ Cello Suites (Bach)
・ Cello suites (Britten)
・ Cello Symphony (Britten)
Cello technique
・ Cello étude
・ Cellobiohydrolase
・ Cellobiose
・ Cellobiose dehydrogenase (acceptor)
・ Cellobiose epimerase
・ Cellobiose phosphorylase
・ Cellocidin
・ Cellodextrin
・ Cellodextrin phosphorylase
・ Cellofan – med døden til følge
・ Cellole
・ Celloman
・ Cellome
・ Cellomics


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Cello technique : ウィキペディア英語版
Cello technique

Playing the cello is done while seated with the instrument supported on the floor. The left hand fingertips stop the strings on the fingerboard determining the pitch of the fingered note. The right hand plucks or bows the strings to sound the notes.
==Body position==
The cello is played while seated. Its weight is supported mainly by its endpin or spike, which rests on the floor.〔Potter LA. The Art of Cello Playing. Alfred Music Publishing, 1996 ISBN 0-87487-071-2, pp. 11-12〕 The cello is steadied on the lower bout between the knees of the seated player, and on the upper bout against the upper chest. The neck of the cello is above the player's left shoulder, and the C-String tuning peg is just behind the left ear. The bow is drawn horizontally across the strings. In early times, female cellists sometimes played side-saddle, since it was considered improper for a lady to part her knees in public. A player's handedness does not alter the way the cello is held or used. In rare cases, a player has used a mirror-image posture—usually because of a physical disability of the arm or hand that makes the required technique impossible for that side of the body. In such a situation, the player must decide whether or not to reverse the set-up of the cello (the string positions, bass-bar, sound post, fingerboard shape, and bridge carving are all asymmetrical).

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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